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His interest in anatomy and its studies continued all his life and proved to be
important not only to his art but also a new contribution to science. In 1766 his
first book 'The Anatomy of the Horse' was published.
In 1754 Stubbs travelled to Morocco. It is believed that a scene he saw there inspired
his later picture 'Horse Attacked by a Lion' (1762-1765). In 1756, his son, George
Townley Stubbs, was born by Mary Spencer who had become his common-law wife. In
1759, the family moved to London.
From the end of the 1760s he produced magnificent examples of the genre 'The Melbourne
and Milbanke Families' (1769-1770) and 'John and Sophia Musters Out Riding at Colwick
Hall' (1777).
In the 1770s, Stubbs embarked on new enterprises: he experimented with enamel painting.
He consulted Josiah Wedgwood about the possibility of making large pottery plaques
on which the enamel process could be used. In the great paintings that were still
to come, he reverted to oils, mostly on smooth panels rather than canvas. An Associate
of the Royal Academy in 1780, Stubbs was elected to full membership in 1781. The
self-portrait of that year, executed in enamel on an oval Wedgwood plaque 'Self-Portrait'
(1781), shows him at fifty-seven.
In the 1790s the Prince of Wales commissioned a number of paintings. In all, the
18 paintings by Stubbs, still preserved at Windsor Castle and Buckingham Palace,
show his powers undiminished and indeed in some ways strengthened as he neared the
age of 70. Stubbs died in 1806, July 10, in poor financial circumstances.